Strangeways, here we come - The Smiths

The Smiths' final masterpiece, originally released in 1987 on RHINO RECORDS. Although the band lasted only four years as a recording unit, their influence can still be felt more than two decades after their breakup. Listen to it to share the Smiths' melancholy, whose depressive side and wry irony hide an unsuspected energy.

Notice

"The collaboration between Morrissey and Marr is inventive (there is a great instrumental diversity on the album). The voice and the lyrics are still excellent.
From the first notes of "A Rush And A Push And The Land Is Ours", the imprint of the Smiths' style is undeniable! It's the typical sound that marked the 80s and that will leave its mark on the 90s (on Radiohead , in particular).
Then come some magnificent pieces, such as "Death Of A Disco Dancer". An airy, sublime piece, on which the bass intro is excellent. On the latter, Morrissey's suave and sweet voice is admirably attached. Johnny Marr's guitar is full of restraint.
"Girlfriend In A Coma" shows the band's attraction to calm, joyful and acidulous pop. While "Last Night I Dreamed Somebody Love Me", with its 60's influences, recalls by its intro "The Queen Is Dead". "Paint A Vulgar Picture", one of the best tracks of the album, shows all the immense talent of Marr and the musicians, while Morrissey's voice remains excellent, irreproachable.

The album ends with an acoustic guitar ballad over which Steven Morrissey's ethereal voice is added.

A very good album. Die-hard fans will find what they are looking for; nevertheless, the nostalgia for a lost era runs through the listening and leaves a hint of bitterness.
As if the Smiths were announcing the end of the 80's sound that had ensured their popularity..."